His boisterous drawings are marked by meticulous ornamentation, a distinctive shading technique, and frequent nods to the psychedelic ’60s. His interest in typography is apparent and he’s even begun to experiment in FontLab.
Sumkin’s latest assignment is a very personal one: an appeal to Belarusian president Alyaksandr G. Lukashenka to “stop the obstruction, harassment and intimidation of civil society activists engaged directly or indirectly in the promotion and defence of human rights in Belarus”.
There are some examples of his work:
happy new year:
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AMNESTY INTERNATIONAL
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fake:
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Rock out motherfuckers
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ROJO®magazine
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The Killers for Rolling Stone Magazine, 2006.
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katia / motobécane / paris
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like never before
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tennis
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